2023年科隆国际艺术展览会

科隆国际艺术展览会(ART COLOGNE)是德国三大国际艺术展之一，是国际艺术盛会，一年一届，为期五天的展期中，来自德国及其它国家的180家画廊将展出其收藏的当代经典、战后艺术及当代与现代艺术精品。科隆国际艺术展上齐聚了油画，雕塑，装置，视频，摄影，纸上作品，版画及多媒体等艺术作品 --- 充分展现来自欧洲及其它国家参展画廊的高水平及专业性。德国艺术展会业十分发达，被誉为“画廊博览会之母”的科隆艺博会牢牢占据着龙头老大的位置。同期分类展举行的科隆古董古物艺术品交易展览会也是非常有吸引力的专业展。

ART COLOGNE展更紧凑，更清晰，更集中为特点，从2009年4月科隆国际艺术展将首次移师科隆国际展览中心11号馆。与以往的展厅相比，新的11号馆为展会提供了更合适的展示场地。另外，展会为现代经典，战后艺术与当代艺术作品安排了单独一层的展区 – 11号馆三层，观众参观这些作品时将更加便捷。另外，在开放的空间 (Open Space) 及艺术新星 (New Contemporaries) 展区中，最具潜力的画廊将展出他们的最佳作品。

开放的空间(OpenSpace)–为当代艺术作品提供了一个非传统的开放销售空间。包括展商、观众及媒体在内,都对这个单元普遍表示好评。艺术新星(NewTalents)–科隆国际艺术展除了强调传统外,还特别重视对青年艺术与青年艺术家的推广工作。艺术新星是德国官方文化及媒体委员会、北莱因－威斯特法伦州与科隆市政府共同赞助的一项青年艺术家评选活动。2005年首届举办的科隆国际艺术奖的获奖人就是青年艺术家.当代艺术(NewContemporaries)–本单元由科隆波恩储蓄银行艺术基金会赞助，协助推广青年画廊。

获得资助的青年画廊可在参展费用上获得减免.隐藏的珍宝(HiddenTreasures)–科隆国际艺术展不仅致力于推广后进艺术家，对于国际艺术市场的整体推广更是不遗余力,这一点体现于展会的另一项配套活动–隐藏的珍宝。此项活动每年定期举办一次，活动中将介绍至多五位40岁以上的艺术家及其作品。这些被视为“隐藏的珍宝”的艺术家们在艺术市场上的地位尚未稳固，尽管他们的作品已在艺术史上拥有一席之地。简言之：您将在这里找到拥有实惠价格的优秀作品。

科隆国际艺术展国际评审委员会名单：Hendrik A. Berinson (德国柏林Berinson画廊)； Jörn B?tnagel (德国科隆BQ画廊)；Valerie Carberry (美国芝加哥Valerie Carberry画廊)；Darren Flook (英国伦敦Hotel画廊)；Steve Hanson (美国洛杉矶China Art Objects画廊)；Dennis Kimmerich (德国杜塞多夫Dennis Kimmerich画廊)；Christian Nagel (德国科隆/柏林Christian Nagel画廊)；Niklas Svennung (法国巴黎Chantal Crousel画廊) ；Hans Mayer (德国杜塞多夫Hans Mayer画廊)；艺术新星（New Talents）改名艺术新阵地（New Positions）。科隆国际艺术展再度与德国联邦画廊及出版物协会（BVDG）联手，将原本的艺术新星（New Talents）展区改造成新的“艺术新阵地”（New Positions），继续为推广青年艺术家而努力。这项改变更加强调了展出作品的新创造理念。观众们将可以在各个画廊的展位上同时欣赏到在本区展出的个别画家作品。

展品范围(Show Products):

1、油画，雕塑，装置，视频，摄影，纸上作品，版画及多媒体等艺术作品；

2、现代经典，战后艺术与当代艺术作品；

3、艺术信息与媒体服务等。

展会报告(Show Reports):

How do art fairs work under pandemic conditions? The Cologne fair organisers can now answer the questions: when all safety measures are observed, it is possible to present a real art market that is visited by real art enthusiasts who even buy real art and take it home with them. "Our thanks go to the galleries and dealers that made a fantastic, ambitious programme possible and thus presented visitors with a longed-for art experience", says Daniel Hug, Director of ART COLOGNE and COLOGNE FINE ART & DESIGN, upon conclusion of the fairs. Around 34,000 art fair guests didn't miss the chance to visit the art fair and kept to the "3G" (vaccinated, recovered or tested) and mask obligations in a disciplined fashion. In the process, it was evident that one can rely on the loyal collectors of the Rhine region, as well as of the metropolitan areas between the Rhine, the Ruhr and neighbouring Benelux communities. The exhibitors of both art fairs thus not only praised the quite knowledgeable and curious public, but were also able in many cases to report good sales. "Our planning with wider airy corridors and quiet zones ensured not only the required distancing but also provided a sense of relaxation. The art could thus also be seen better, which was to everyone's advantage", according to Daniel Hug, who is also considering a similar approach for coming art fairs. The reduction of the number of exhibitors to around 150 galleries at ART COLOGNE and around 60 exhibitors at COLOGNE FINE ART & DESIGN also contributed to the relaxed atmosphere. In addition to gallery heavyweights, young galleries and dealers also exhibited more artists with political and socio-critical statements.